In late 2016, I started developing a concept of Exhibiting Otherwise, provoked by the (self-)imposed pressure of success in art and the recognition that certain practices are rendered powerless within dominant production models. From this anxious position, Exhibiting Otherwise reimagines the exhibition – visual art’s leading format – by questioning boundaries between making, mediation, and presentation. It proposes examining the porosity and elasticity of exhibition practice, highlighting habits, protocols, roles, administrative and financial concerns, and shifting toward the performative. The focus lies on the temporal aspect of exhibiting.