EDUCATION
2019–20 — researcher, Royal Academy of Fine Arts Antwerp
2017–20 — associated researcher, a.pass Research Center, Brussels
2014–15 — Advanced Master Research in Art & Design, Sint-Lucas Antwerpen
2012–14 — Master Vrije Kunsten, LUCA University College for Sciences & Arts, Brussels
2005–10 — Bachelor and Specialized Studies in Fine Art Printing, Faculty of Fine Arts Cetinje, University of Montenegro

TEACHING AND EDUCATIONAL PROGRAMS
2026 — coordinator of the educational program Between us: Work in Art, Podgorica
2025 — tutor and guide, Alternative Educational Program, Rupert, Vilnius
2023–24 — artistic researcher, project Anomaly, Kurziv (Kulturpunkt), Zagreb
2021 — co-curator and facilitator, Not in the Mood, three-month postgraduate program, a.pass, Brussels
2020 — coaching for research group Body and Material Reinvented, Royal Academy of Fine Arts Antwerp 2019–20 — artistic researcher, Royal Academy of Fine Arts Antwerp
2017–20 — artistic researcher, a.pass Research Center, Brussels
2015–20 — member and program developer, Institute of Contemporary Art, Montenegro: co-curating Evening School; exhibition project Unprofessional; Archive of Cetinje Biennials; organizing YVAA Milčik.

SELECTED PROJECTS AND WORKS

Long-term research frameworks:

Who is Adrian Lister? — Gastarbeiter 2.0, installation, gatherings, artist publication, nGbK, Berlin (2024) — Marginalije zajedničkog, installation, performance, reading sessions, Kuslevova kuća, Podgorica (2022) — Wo das Gras grüner ist, performance and booklet, Kunstmuseum Liechtenstein (2015) — residency, performance and booklet, Castle Bourglinster, Luxembourg Ministry of Culture (2017) — residency, performance and booklet, Bains Connective, Brussels (2015)

Archiving Artistic Anxieties — 7 anxieties and the world, card-reading publication (2019 — ongoing): performed at Glasmoog Cologne (2021), ŠKUC Ljubljana (2021), GMK Zagreb (2019), CIAP Hasselt (2019), and as mentoring practice at a.pass Brussels (2022–23) — Contingent Weirdness — turn your research into horror, workshop, installation, performance, with Sina Seifee (2022 — ongoing): nadine Brussels (2025), sign/CIAT Berlin (2024), kaai theatre Brussels (2024), wpzimmer Antwerp (2023), a.pass Brussels (2023) — Nail art affects theory, reading sessions, with Sara Manente (2021 — ongoing): a.pass Brussels (2021), wpzimmer Antwerp (2023), FAR° Nyon (2023) — Between anxiety and hope, micro-publishing platform and jam project, with Kristina Gvozdenović (2020 — ongoing): betweenanxietyandhope.me

Exhibiting Otherwise — Workers’ Club “Between Us”, solo exhibition, magazine and public program, with Nela Gligorović, Museum of Contemporary Art of Montenegro, Podgorica (2025) — Amulet for cultural workers (2016 — ongoing): Museum Yet to Be, Museum of Contemporary Art of Montenegro (2026), Festival of Future Nows, Neue Nationalgalerie Berlin; and ongoing exchange network

Selected other projects:

Anthropomorphic Trouble, research project, book, video, performance, with Goda Palekaitė (2021–22) — Whitechapel Gallery, London (2021) — tranzit.sk, Bratislava (2022) — Nemuno 7, Kaunas (2022) — Art Catalyst, Sheffield (2021)

Water made to move, video, with Vijai Patchineelam (2020–21) — In Search of Sharawadgi, SCHUNCK Museum, Heerlen (2021) — The Broken Archive, online (Villa Romana and HKW, Berlin)

Referat na temu: Slijedimo se vašim sjajnim primjerom, text-based work, with Kristina Gvozdenović (2017–) — Drugarice, National Museum of Montenegro (2017) — Strange Attractors, X Berlin Biennale (2018) — The Broken Archive, online (Villa Romana and HKW, Berlin)

To and from Montenegro, video, book, performance, design pattern (2015) — The Silver Lining, 56th Venice Biennale (2015) — From diaspora to diversities, National Museum of Montenegro (2018) — Casa Tomada, Sao Paulo (2016)

Thanks for your visit and goodbye, artist book (2013) — No one belongs here more than you, 54th October Salon, Belgrade (collection)

WRITING AND PUBLISHING

Autotheoretical and essayistic texts: — To handle art — couple’s dynamic, in The Secretary, the Shaman, the Scholar, the Lobbyist, the Publicist and the Virtuoso, Rupert, Vilnius (2025) — Script for the lecture “Towards Otherwise Exhibiting,” in The Artist Job Description, Vijai Patchineelam (ed.), Track Report / OAZA BOOKS / a.pass (2022) — This Artist, with Pia Louwerens, in In these circumstances, Onomatopee (2022) — Autoproblema, Goda Palekaitė (ed.), artnews.lt (2023) — Nail art affects theory, ROT, Sara Manente (ed.), Varamo Press (2023) — 7 anxieties and the world, Archivoltage, Thomas Crombez & Nico Dockx (eds.), Track Report, Antwerp (2021) 

Editing and publishing: — Magazine Between Us: Work in Art, co-editor with Nela Gligorović, Workers’ Club “Between Us” (2025) — betweenanxietyandhope.me, online writing platform, co-founded with Kristina Gvozdenović (2020 — ongoing) — archivingartisticanxieties.me, online research presentation, with a.pass and Royal Academy of Fine Arts Antwerp (2020)

RESIDENCIES AND GRANTS

2023 — wpzimmer, Antwerp 2022 — WHW Akademija, Zagreb 2022 —  Art Catalyst, Sheffield 2021 — CONA Foundation, Mumbai 2018 — Q21, MuseumsQuartier Wien 2017 — Castle Bourglinster, Luxembourg Ministry of Culture 2016 — FAAP residency, São Paulo 2015 — Bains Connective, Brussels 2010 — Austrian Federal Ministry residency, Vienna